Techincal Information

ca. 18’
cello, percussion, pre-recorded voices

Premiered December 4, 2018

Purchase or Stream

Bandcamp

Spotify

Performance History

August 23, 2020
Five Boroughs Music Festival presents Home Brew
Split Bill with Rafael Leal
Hosted by Michael Unterman

March 7, 2021
Hot Air Music Festival (online)

June 22, 2020
New Music Gathering Reimagined (online)

March 14, 2020
Blue Sage Center For The Arts, Paonia, Colorado

June 8, 2019
Re:Sound Festival, Cleveland, New York

December 8, 2018
Queens Museum, Queens, New York
World Premiere Performance
Split bill with Duo Yumeno and Rafael Leal

About the Work

The United States is often called “a nation of immigrants” and rightly so; our history has been defined by people from other places who have risked much to build a new life here. Recent discussion of immigration highlights the experiences of foreign nationals who have decided to stay: how they can stay, if their stay is legal, and what the ramifications of their stay are. Less common, however, is the discussion of immigrants’ departure from the home they left behind; few, in other words, speak of immigrants as emigrants.

The Emigrants is a documentary chamber music work for cello, percussion and digital playback. The project began by collecting oral history interviews with the emigrant musician community of New York City’s borough of Queens, one of the most ethnically diverse urban areas in the world. The new work includes these individuals’ voices as part of the score itself, combining spoken word with instrumental music. The goal is to create a work that, through a documentary process, invites a dialogue between the audience, the musicians (both live and recorded), and the stories.

About the Composer

I taught for seven years at York College, The City University of New York, whose student body includes emigrants from numerous countries and cultures. I am an emigrant myself, having left Hong Kong and moved to Boston in 1992 when I was 11 years old. As a new student at an American middle school, classical music became a lifeline that bridged the gap between my experiences in Hong Kong and the United states. I started studying the violin in Hong Kong when I was six, and when I started sixth grade upon my arrival in Boston, I immediately joined the school band. Classical music became my shelter from the foreign, and music eventually became my profession in my new homeland. Through The Emigrants, I look to document similar stories from other individuals through a work of documentary music.